> The js files are the subject of infringing activity. Popcorn Time is "inducing infringement" as stated in the unanimous SCOTUS ruling against grokster.
This only comes close to making sense if you are assuming an unreasonably vague definition of "infringing activity".
Copyright is defined in terms of actions that the author/owner has exclusive right to: reproduce, distribute, perform or display publicly, etc. Infringement is defined as doing one of those actions without permission. An infringing activity is reproducing, distributing, etc. something you don't have permission to reproduce or distribute. The subject of an infringing action is the thing being reproduced, distributed, etc.
The MPA's complaint identified JS code as the subject of infringing action, meaning at most that it's the creation or public display and distribution of the JS code at those URLs that the MPA is alleging to infringe their copyright in movies. This does not seem to have been understood by the author of the more rambling, irrelevant portions of that complaint. In order for that JS code's existence or display to be infringing on the copyright of the movies, it would have to be a derivative work of each of those movies—an indeterminate but large number of movies, for what was probably just a few kB of code. That's not the kind of accusation anyone is going to take seriously.
This only comes close to making sense if you are assuming an unreasonably vague definition of "infringing activity".
Copyright is defined in terms of actions that the author/owner has exclusive right to: reproduce, distribute, perform or display publicly, etc. Infringement is defined as doing one of those actions without permission. An infringing activity is reproducing, distributing, etc. something you don't have permission to reproduce or distribute. The subject of an infringing action is the thing being reproduced, distributed, etc.
The MPA's complaint identified JS code as the subject of infringing action, meaning at most that it's the creation or public display and distribution of the JS code at those URLs that the MPA is alleging to infringe their copyright in movies. This does not seem to have been understood by the author of the more rambling, irrelevant portions of that complaint. In order for that JS code's existence or display to be infringing on the copyright of the movies, it would have to be a derivative work of each of those movies—an indeterminate but large number of movies, for what was probably just a few kB of code. That's not the kind of accusation anyone is going to take seriously.