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The glissando at the opening of rhapsody in blue is not a counterexample to fixed tuning. It is a specific technique availed by having open holes under the fingers: by sliding the fingers slowly off the holes, and partially covering the holes, you can get a glissando effect. This same technique is used to create semitones.

Both of these are very difficult to do precisely, and come at a significant cost in the agility of the player. They are more equivalent to pitch bending on a guitar than adjusting tuning systems on a violin, which has almost no impact. Instruments with valves and hole covers, like bassoons, make techniques like this extremely difficult if not impossible.

However, the holes in the instrument are drilled at specific places along the length of the instrument corresponding to specific notes. This is what gives the instrument its tuning. Hole positions are calculated and drilled very precisely to make sure that the instrument is in tune. It is not accurate to say that these instruments do not have fixed tuning. The tuning is literally drilled into the body of the instrument.



Dude I've played clarinet for literally a decade (and a few years of saxophone). Anyone who's even a moderately talented amateur can bend notes enough to bend your note out of equal temperament. Sure you don't do this for anything fast, but if you have a longer chord this is a very common technique.


That is completely true. It is not enough to change the tuning of a piano you are using away from equal temperament, however.


wind and brass players adjust intonation via embouchure all the time…




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