I don’t think it is from her perspective. Lost connections, lost time, and she can’t even get her name on her work.
“By 1981, Carlos was known everywhere as Wendy: she had completed her gender confirmation surgery in 1972, and talked about it for the first time in a 1979 Playboy interview. Only two columns were devoted to her music in the piece, which she saw as a betrayal. Nevertheless, she revealed just how much “forced secrecy” had affected her career. Switched-On Bach’s popularity had made things hard for her, she said. She had “lost an entire decade” avoiding live performances and connections with other artists because she didn’t yet feel ready to disclose her gender transition publicly. Once, Stevie Wonder came to check out her synthesiser set-up, and Carlos hid as he knocked. Sewell writes in her book how Carlos still faces prejudice from record companies today: Warner Music has not still corrected her name on the soundtrack to A Clockwork Orange.”
I don’t think it is from her perspective. Lost connections, lost time, and she can’t even get her name on her work.
“By 1981, Carlos was known everywhere as Wendy: she had completed her gender confirmation surgery in 1972, and talked about it for the first time in a 1979 Playboy interview. Only two columns were devoted to her music in the piece, which she saw as a betrayal. Nevertheless, she revealed just how much “forced secrecy” had affected her career. Switched-On Bach’s popularity had made things hard for her, she said. She had “lost an entire decade” avoiding live performances and connections with other artists because she didn’t yet feel ready to disclose her gender transition publicly. Once, Stevie Wonder came to check out her synthesiser set-up, and Carlos hid as he knocked. Sewell writes in her book how Carlos still faces prejudice from record companies today: Warner Music has not still corrected her name on the soundtrack to A Clockwork Orange.”
https://www.theguardian.com/music/2020/nov/11/she-made-music...